It is said that the best judge of an artist’s skill is in drawing human anatomy. With Aqim Adil’s art, one certainly gets plenty of body parts.

Fingers caressing a cigarette, hands tending a leaf branch, feet by a window, and calves intertwined with flower pots, metal poles, and even ribcages. There are shadows and contours, veins and muscles all shaded in black and white, using only charcoal and graphite.